Inspiration from George Hurrell
My Imitation
Although I feel like both images capture George Hurrell’s style accurately, I think that the first image (on the left) has the best connection to the original inspiration. When I learned of Hurrell’s use of the monolight, it inspired me to step out of my usual comfort zone within portraiture. For portraits, I mainly use a speedlight with an umbrella to capture a full face of light, focusing less on shadows and more on even lighting. To emulate the monolight look, I used a snoot on my speedlight to condense the light into a beam or spotlight look. This allowed me to capture creative shadows, while still having good lighting, contour, and balance between dark and light. Hurrell focused on the subject not being directly facing the camera, but having an angled pose to accentuate jawline, something I think I was able to capture in these images.



